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Styx – 1981 - Paradise Theater (2014 Audio Fidelity SACD) [mp3@320]

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  Styx – 1981 - Paradise Theater
  
  (2014 Audio
Fidelity SACD) [mp3@320]
  
  
  
  
  Styx
  
  
  Styx in 2009
  
  Wikipedia:
  Styx is an American rock band formed in 1970
from Chicago that became famous for its albums released in the late 1970s and early 1980s. They are best known for
melding the style of pop rock and hard rock with the power of a hard-rock guitar balanced with acoustic guitar,
synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international
musical theater.
  Styx is best known for the hit songs "Lady" (#6, 1973), "Come Sail Away" (#8, 1977), "Babe" (#1,
1979), "The Best of Times" (#3, 1981), "Too Much Time on My Hands" (#9, 1981) and "Mr. Roboto" (#3, 1983). Other major
hits include "Show Me the Way" (#3, 1990), "Don't Let It End" (#6, 1983), "Renegade" (#16, 1979) and "Boat on the
River", a big hit in much of Europe and Japan. The band has five consecutive albums certified multi-platinum by the RIAA
as well as sixteen top 40 singles in the US, 8 of which hit the top 10.
  
  
  Paradise Theater (2014 Audio Fidelity
SACD)
  
  
  
  Artist: Styx
  Title: Paradise Theater
  Format: SACD, Hybrid,
Stereo, Album, Limited Edition, Numbered, Remastered 
  SACD Mastering: Kevin Gray at Cohearent Audio.
 
Producer: Styx
  Release Date: January 19, 1981, (Audio Fidelity April 20, 2014)
  Recorded: 1980 at Pumpkin
Studios, Oak Lawn, Illinois
  Label: Audio Fidelity
  Catalog: AFZ-174
  Barcode: 7 80014 21742 6
 
ASIN: B00J3V8WE8
  Genre: Rock, Progressive Rock, Classic Rock, Hard Rock, Art Rock
  Duration: 40:43
 

  Wikipedia:
  Paradise Theatre is the tenth album by the rock band Styx, released in January 1981. A
concept album, the album is a fictional account of Chicago's Paradise Theatre from its opening to closing (and eventual
abandonment), used as a metaphor for America's changing times from the late 1970s into the 1980s. (Dennis DeYoung
confirmed this in an episode of In the Studio with Redbeard which devoted an entire episode to the making of the album.)
Four singles from the album charted. "The Best of Times", written by Dennis DeYoung, went to #3 on the Billboard Hot
100. "Too Much Time on My Hands", written by Tommy Shaw, went to #9 on the Billboard Hot 100, Shaw's only top 10 hit for
Styx. "Nothing Ever Goes as Planned", written by DeYoung, went to #54 on the US Pop Chart. "Rockin' the Paradise"
— written by DeYoung, Shaw and James Young — went to #8 on the Top Rock Track Chart. The song "Snowblind"
(lyrics by Young, music by Young and DeYoung) was an attack on drug addiction. The track would come under fire for
alleged backward messages and was branded by Tipper Gore's Parents Music Resource Center as "Satanistic". James Young
and DeYoung denied this on the In the Studio episode devoted to the making of Paradise Theatre. Paradise Theatre became
Styx's only US #1 album. It was the band's fourth consecutive triple-platinum album, and (as of 2015) the last
multi-platinum album by the band.
  
  AllMusic Review by Eduardo Rivadavia:
  After successfully
establishing themselves as one of America’s best commercial progressive rock bands of the late ’70s with
albums like The Grand Illusion and Pieces of Eight, Chicago’s Styx had taken a dubious step towards pop overkill
with singer Dennis DeYoung’s ballad “Babe.” The centerpiece of 1979′s uneven Cornerstone album,
the number one single sowed the seeds of disaster for the group by pitching DeYoung’s increasingly mainstream
ambitions against the group’s more conservative songwriters, Tommy Shaw and James “JY” Young. Hence,
what had once been a healthy competitive spirit within the band quickly deteriorated into bitter co-existence during the
sessions for 1980′s Paradise Theater — and all-out warfare by the time of 1983′s infamous Kilroy Was
Here. For the time being, however, Paradise Theater seemed to represent the best of both worlds, since its loose concept
about the roaring ’20s heyday and eventual decline of an imaginary theater (used as a metaphor for the American
experience in general, etc., etc.) seemed to satisfy both of the band’s camps with its return to complex hard
rock (purists Shaw and JY) while sparing no amount of pomp and grandeur (DeYoung). The stage is set by the first track,
“A.D. 1928,” which features a lonely DeYoung on piano and vocals introducing the album’s recurring
musical theme before launching into “Rockin’ the Paradise” — a total team effort of
wonderfully stripped down hard rock. From this point forward, DeYoung’s compositions (“Nothing Ever Goes as
Planned,” “The Best of Times”) continue to stick close to the overall storyline, while Shaw’s
(“Too Much Time on My Hands,” “She Cares”) try to resist thematic restrictions as best they can.
Among these, “The Best of Times” — with its deliberate, marching rhythm — remains one of the
more improbable Top Ten hits of the decade (somehow it just works), while “Too Much Time on My Hands”
figures among Shaw’s finest singles ever. As for JY, the band’s third songwriter (and resident
peacekeeper) is only slightly more cooperative with the Paradise Theater concept. His edgier compositions include the
desolate tale of drug addiction, “Snowblind,” and the rollicking opus “Half-Penny, Two-Penny,”
which infuses a graphic depiction of inner city decadence with a final, small glimmer of hope and redemption. The song
also leads straight into the album’s beautiful saxophone-led epilogue, “A.D. 1958,” which once again
reveals MC DeYoung alone at his piano. A resounding success, Paradise Theater would become Styx’s greatest
commercial triumph; and in retrospect, it remains one of the best examples of the convergence between progressive rock
and AOR which typified the sound of the era’s top groups (Journey, Kansas, etc.). For Styx, its success would
spell both their temporary saving grace and ultimate doom, as the creative forces which had already been tearing at the
band’s core finally reached unbearable levels three years later. It is no wonder that when the band reunited
after over a decade of bad blood, all the music released post-1980 was left on the cutting room floor — further
proof that Paradise Theater was truly the best of times.
  
  
  
  
  01. A.D. 1928 - 1:07
  02. Rockin’ the Paradise - 3:54
  03. Too Much Time on My
Hands - 4:03
  04. Nothing Ever Goes As Planned - 4:46
  05. The Best of Times - 4:17
  06. Lonely People
- 4:38
  07. She Cares - 4:18
  08. Snowblind - 4:58
  09. Half-Penny, Two-Penny - 4:34
  10. A.D.
1958 - 2:31
  11. State Street Sadie - 0:27
  
  
  Personnel:
  
  Styx:
  
  Dennis DeYoung – Keyboards,
Vocals
  Chuck Panozzo – Bass
  John Panozzo – Drums, Percussion
  Tommy Shaw –
Guitars, Vocals, Vocoder
  James Young – Guitar, Vocals
  
  Additional Personnel:
 

  Dan Barber - horn
  Steve Eisen - saxophone
  Mike Halpin - horn
  John Haynor - horn
  Mark
Ohlson - horn
  Billy Simpson - horn
  
  
  Note:
  This is not my rip
  My thanks to the original uploader
  
  
  
  
  
  
  
  
  
  
  ♪♬♫ ENJOY! ♪♬♫ 						

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